Eudora welty why i live at the p o audio

I am sure I was ignorant of all kinds of things. We had wonderful school principals and teachers that I still remember with great affection and awe. The town was easier to know, all of which is gone now, of course, because Jackson is aВ city. There was no sense of danger happening in town. Children could go out by themselves in the after-noon and play in the park, go to the picture show, and move about the city on their bicycles, just as if it were their own front yard. It was so small that one knew everybody, practically. When I was growing up, Jackson had much more of an identity than now because it was smaller. I always felt very lucky-вЂ‹and they did, too-вЂ‹that they had comeВ here. He was from Ohio, and my mother from West Virginia. I was the firstborn of the first generation in Jackson. And my father-вЂ‹he was a businessman-вЂ‹had decided that Mississippi was a place with a future. My family-вЂ‹my father and mother-вЂ‹were both from away, and they came here when they married. Its familiar, nurturing sound assured me I was with a friend who understood all that I knew and would everВ be.ДЄs for Jackson, I have always liked being here. WeltyвЂ™s voice reminded me of my grandmother Martha Ferris. When I left, she always walked me to the front door and stood inside the screen door until I walked to my car and droveВ away. Welty kept a framed note from Bill Clinton on her mantle, and her oil portrait hung on the wall across from it. Our visits in her home were always memorable, intimate moments as we sat in her living room and spoke about friends and ideas. She visited our farm and had dinner there with Cleanth Brooks, Tinkham Brooks, and CharlotteВ Capers. Later at the University of Mississippi she read from вЂњWhy I Live at the P.O.вЂќ when the William Faulkner postage stamp was issued. She came to Yale twice, the first time to speak to my students and the second to receive an honorary degree. For a moment there I thought you were testing ourВ friendship.вЂќ One day I phoned her and asked, вЂњEudora, I wondered if we might get together onВ Saturday.вЂќ

WeltyвЂ™s wit was always unexpected and refreshingly on point. Over the years that followed, I visited her regularly and recorded other interviews, film, and videotape withВ her.Д®ach time we visited, I brought a large bottle of MakerвЂ™s Mark that we opened and shared together.

In these photographs, Welty captured the faces and landscapes of Mississippi with a power and honesty that became a standard for my research as aВ folklorist.Дuring the summer of 1975, I visited Welty at her home on Pinehurst Street, and we spoke about those photographs and her writing. The next morning she read вЂњA Worn PathвЂќ before the student assembly in her soft voice, and during the afternoon we walked around the campus where wisteria vines were in fullВ bloom.ДЇour years later I was working in the folklore collections at the Mississippi state archives when Charlotte Capers, the director, showed me unpublished photographs that Welty had taken for the Works Progress Administration. I borrowed a school car and met her when she arrived by train one evening at the Charlotte depot. Much to the amazement of our faculty in the English department, she accepted. I first read WeltyвЂ™s work at Brooks School, and in my senior year at Davidson College, I invited her to be our book-вЂ‹of-вЂ‹the-вЂ‹year speaker. They sat on a hillside below our home, and after they left, my mother told me that one of the group was an importantВ writer. My grandmother often told me about the Weltys, who were among her close friends inВ Jackson.ДЄt the age of twelve, I remember seeing Eudora Welty and a group of her friends when they visited our farm to picnic and sketch the landscape. The Welty family lived three blocks away with their children Walter, Edward, and Eudora. In 1929, my grandparents Eugene and Martha Ferris moved to Jackson, Mississippi, and bought a home on Laurel Street.

Eudora welty why i live at the p o audio